Biography
de Lorme Delphine, born is Paris in the 70’, is a multidisciplinary artist. She studied dance, theater then started her carrer in Paris in the media industy while painting.
Her first art exhibition was held in 2004 at Vivendi galerie place des Vosges, Paris.
In 2006, she made a life-changing decision to move in the Philippines, attracted by the idea to live far away on an exotic island . She exhibited in prestigious galleries in Manila, Singapore, Hongkong. Opening her art studio creating furnitures pushed her toward blurring the distinctions between art and decoration, she became interior designer.
In 2013, she found herself captivated by the artistic richness of Myanmar, she made Yangon her new home. Her artistic vision lead her to a new playground; Fashion! She co-founded a fashion brand of accessories. YANGOODS operates now 18 stores across the country.
Art changes people and people change the world!
Always concerned with environmental problems, In 2018 she set up a team of Burmese artists to create “YangonWalls” a philanthropic social street art collective that rehabilitated the rubbish streets of Yangon into an open-air gallery.
This organization successfully transformed the neighborhood décor as well as the communities spirit. For the first time in their lives, children had a safe space to play and were able to experiment art. Street art wasn't authorized in Burma and no one has ever dared to paint on the walls. This organization successfully transformed the neighborhood décor as well as the communities spirit. For the first time in their lives, children had a safe space to play and were able to experiment art. Street art wasn't authorized in Burma and no one has ever dared to paint on the walls.
.
After 18 years of immersing herself in the vibrant culture of Asia, she moved for 2 years to Lisbon, invited by different artist residencies.
Since October 2025, she is based in Essaouira, Marroco.
De Lorme is a committed artist. Her contemporary figurative style conveys a narrative that aims to shake up and provoke confrontational reflection, in the face of the absurdity of our current world. Her large canvases are not only joyfully tangy and feminine, they ironically reflect the issues of our time, transmitting a powerful social, political or moral message. She questions inequalities, overconsumption, greenwashing, sexism or patriarchy. The acrylic colors are saturated, her rapid and bold brushstrokes cover some collages erased by the layers of paint. These very current compositions whisper to us the struggles but also the hopes of our time. A duality between an aesthetic work and a reflection.
2004-2015 Expositions solo et collectives, Paris, Philippines, Singapore, Hong Kong, Geneva.
2018 she Creates the Collectif YANGONWALLS in Myanmar
Art work for sale